Friday, November 15, 2019

The Tone Scale

Mixing a Tone Scale:

For next week, please have a tone scale mixed, ready to bring to class, 5 tones. Along with enough paint to apply over your under-painting. Remember that #1 and #5 don't need to be mixed, as they are already tubed for you (#1 is WHITE, and #5 is BLACK). So you will need to mix #2, #3, and #4.

To begin, you will need the following supplies (and paper towels / rags):


Start by placing #1 (White) and #5 (Black) on your smooth mixing surface. Use a goodly portion of paint. You will need enough for both your scale, as well as for Wednesday class, to begin painting.


Mix #1 and #5 with your palette knife to create your mid-tone (#3).


Mix your #1 and #3 to create your #2 tone.


Mix #5 and #3 to create your #4 tone. You now have your 5-tones


Lay your tones side by side in a uniform fashion. This is your tone scale (My scale, seen below, indicates 9 tones, but you only have to build 5, unless you want to be extra ambitious)!


Bring your tone scale to class Wednesday, as well as your 5 tones of paint, all mixed and ready to apply to your painting (If you finish mixing your tones days before class, preserve your paints by putting them in your 'Seal-A-Kit', pop the lid on, and put it in the freezer, until you leave for class. They will thaw by the time you arrive).


This is what your painting will look like on Wednesday. Note the brown under-painting, covered with the tonal 'over-painting'...





Friday, October 25, 2019

Painting Class in November

Atalanta and Hippomenes’, by Guido Reni
TONE DESIGN In Oil Paint
5 week class
Instructed by Tim Mansen
Wednesdays, Nov. 6–Dec. 4
At: Alma Mater, the Hive 
       6:00 – 8:30; $225
Learn the elements of picture making, through the tradition of master-copying, from artwork featured in the ‘Flesh and Blood’ show at SAM. To Register, contact Tim Mansen (tim.mansen@gmail.com)

Poster study by Tim Mansen

Hobo Heaven

Hobo Heaven. This last Spring a buddy and I went painting outdoors once a week. We enjoyed setting up in front of this abandoned house. Everything was wild, and I tried not to be so tame in my painting approach.

Purdy Shore

Here is a study in oil of the shore in Purdy, where I have been living. This was painted on site, amidst all the changes of light, weather and tide. I was trained in a studio, where I have spent a few years, so it is nice to get out of that environment and step out into the open air. Challenging and fun!

Big Drift

The last year or so I have been spending time away from the studio, but that doesn't mean I haven't been painting. I will share some of my studies from the outdoors here. Here is an old harvested log, washed up onto the shore, in Purdy. Study in Watercolor.